![]() ![]() Soon after arriving in San Juan, he manages to land a job at the Daily News, an English- language rag whose staff-an assortment of has-beens, mad geniuses, drunks, and spongers-would seem more at home in the Foreign Legion. ![]() Paul Kemp, the narrator, is a young New Yorker starting out as a newspaperman in Puerto Rico in the late -50s. What’s surprising is how much less compelling it is than his journalism. It’s hardly a surprise, then, to learn that Thompson has had a novel locked away in a desk drawer all these years. Making the most of a vicious wit, sharp tongue, and riotous imagination, Thompson infused his reporting-most famously, Fear and Loathing in Las Vegas-with a vigor and depth of personality usually associated more with novels than with newspapers, helping thereby to raise the literary status of nonfiction. Thompson’s great achievement as a writer, of course, has been the role he played in the development of the “new journalism”of the1960s. He might as well have let it rest in peace. The original Gonzo journalist (Proud Highway, 1997, etc.) spent a sober afternoon going through his archives to find this unpublished novel (his only fiction), written at the start of his career. ![]()
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